40 portfolio examples to showcase your work

You may have the best work in the world, but if your portfolio is shaky, no one will know. An outdated design, confusing navigation, three screenshots with no context: your value evaporates in seconds. And so will your potential clients.

Are you a freelancer just starting out?

Take inspiration from the most successful showcase sites to lay a solid, clear and credible foundation.

The different types of portfolios: show what you’re worth, not what you can do

A good portfolio isn’t a collection of openness first, closedness sometimes necessary projects. It’s a focused showcase. The right format depends on what you’re selling—and to whom. Your style and visuals should do the talking, not the talking.

Are you a freelancer or consultant?

Your mission: convince quickly. We want to understand what you bring to the table , how you work, and, above all, what difference it what is the pricing power of tik tok makes for your clients. You don’t need fifteen projects. Three solid, well-structured case studies and a well-placed call-to-action will do a lot more work than a patchwork with no angle.

Are you a designer or creative?

We don’t just want your mockups. We want to see your skills through your graphic choices . No more endless carousels or catch-all pages. Good graphic design is a well-staged project, a contextualized creation, a clear structure. Show little, but show well.

Justine Soulié – Illustrator

Here, there’s no long-winded storytelling, no design school-style case studies. Just a series of full-screen , framed, printable creations. Each business sale lead image is a graphic statement : typography, composition, texture. The site plays the card of visual rigor. No unnecessary scrolling, no decorative effects: it’s direct, raw, and calibrated to appeal to publishing, advertising, or an AD who knows how to read an image.

Studio Feixen – Graphic Studio

It’s dense, but perfectly organized. In this grid, diverse projects —motion, print, object design—are presented without ever breaking the structure . Here, overload isn’t a mistake: it’s an editorial choice. The files are concise, well-contextualized, with just the right amount of information. The result: a portfolio that imposes a strong DNA , without getting bogged down in rhetoric.

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